Hello, has anyone here got any information about Trevor Nun's next project ? I have read somewhere that Hugh "could" participate, witch I think would be a very good thing, but it was a long time ago and nothing new seems to appear..... Thank you for your help....
Thank you.... Not much information either, nothing new on the Playbill site... May I just join and wait with you ? I must apologize, I forgot to introduce myself: I'm French, I live near Paris I've been a fool for Australia since the fist time I went there, in 1992.... I've been crazy for Hugh for only 3/4 years now, and I was lucky enought to be "with Hugh" for the last performance of TBFO in Sydney... Only one show, I regret so much now, but we were 4 of us and I couldn't afford more than one ticket for each... My children (12 and 9 at that time) and my husband aren't very good at English, but they really loved the show anyway ! Now we are desperatly waiting for a DVD release... and/or a London new show....
Bienvenue, LoganForever. Wasn't the Australian version stupendous? I saw it four times in Brisbane. I also fell in love with Australia. What a gorgeous and friendly place (except for the photo police at the Brisbane Entertainment Centre!). Did your children like TBFO, too? Anyway, we are all hoping for a complete DVD of the show someday.
Ellen
Posts: 8621 | Location: NJ | Registered: March 19, 2004
Glad to hear another Hugh fan from overseas ( I am from the Philippines, somewhere in Southeast Asia, and across the equator from Darwin/Sydney/Melbourne ).
You were there for the last night at Sydney -- I was there for Opening Night ...Glad your family enjoyed the show!
I guess we are all looking forward to his new movie on his native land, AUSTRALIA.
You must also be a fan of his Wolverine movies, judging from your username? Aren't we glad that he is such a versatile talent. Have you seen him on the DVD of Oklahoma! ( if not, I think you can get a copy from Amazon.co.uk for Region 2 format).
Hey, I am going to be in Paris for a few days in late April. I love being in your country and have visited it many times. Tres belle France!
Jo
Posts: 10776 | Location: philippines | Registered: August 15, 2003
Opening night at The Sydney Entertainment Centre was sensational. Peter's sister and her daughter walked down the red carpet, right infront of me. Peter had debuted a song for his niece at the same venue in January 25th 1988. He had also sang at opening of the venue, he performed at duet alongside Christopher Cross(they sang Arthur's Theme together, they wore matching light grey suits with white open neck shirts)
I think Hugh could not have been in the London production because of WOLVERINE.
True, some people were very surprised that the lead actor cast as Rhett was thoroughly unexpected ( He came from Pop Idol, the forerunner of American Idol, but had appeared in CHICAGO and GUYS AND DOLLS at the West End).
However I am giving the show a chance, as Trevor Nunn has provided me a lot of pleasure in my theatre-going. He has directed 4 of my favourite shows - Les Miserables, Aspects of Love, Oklahoma!, and Sunset Boulevard. I also liked The Woman in White and while I am not a fan of Cats, I appreciate the lyrics that he wrote for the song MEMORY.
Plus Trevor did discover my two favourite men in musical theatre ... Hugh for Sunset Boulevard ( followed by Oklahoma!) and Michael Ball ( he discovered him while singing Pirates of Penzance, pointed him out to Cameron Mackintosh, and then promptly cast him as the very first Marius in Les Mis).
So, I now have tickets for the show in London ( I am going there primarily to see Michael Ball in Hairspray). Hoping for the best for the show!
Jo
Posts: 10776 | Location: philippines | Registered: August 15, 2003
And that's an understatement! After the show, they actually commanded our little group, who had been taking a few photos around the empty stage, to delete those photos--and actually stood by to make sure they were deleted! 1984, anyone? Gheesh!
Ellen
Posts: 8621 | Location: NJ | Registered: March 19, 2004
I know that I have screamed to the high heavens that I think a staged musical of GWTW could not be anything but a disaster (at least here in America) AND that I'd risk my freedom by conking Hugh on the head, throwing him into the back of my trunk and driving him off into the desert to keep him from going anywhere near this thing. But then you said something Jo, that made me stop and think...
This is Trevor Nunn were talking about here and in my delirium, I'd kinda forgot about that. He's one of the greatest talents the theatre has ever known or ever will know and if anyone deserves the benefit of the doubt...it's HIM!!! He's earned it.
So he's got it and from here on out, I'm gonna keep my mouth shut until this thing is unveiled. And for the record, I do not want to see it fail. I want it to be a smashing success. I don't like to see anyone fail.
Barb
Posts: 6976 | Location: The Nest | Registered: June 26, 2004
Trevor NunnTREVOR NUNN (Director) was educated at Downing College, Cambridge and in 1962 he won an ABC Director's Scholarship to the Belgrade Theatre, Coventry, where as Resident Director, his productions included The Caucasian Chalk Circle, Peer Gynt and a musical version of Around the World in Eighty Days. In 1964, he joined the Royal Shakespeare Company, was made an Associate Director in 1965 and became the company's youngest ever Artistic Director in 1968. He was responsible for running the RSC until he retired from his post in 1986.
His productions for the RSC included The Revenger's Tragedy, The Relapse, The Alchemist, Henry V, The Taming of the Shrew, King Lear, Much Ado About Nothing, The Winter's Tale, Henry VIII, Hamlet, Macbeth, Antony and Cleopatra, Coriolanus, Julius Caesar, Titus Andronicus, Romeo and Juliet, The Comedy of Errors, As You Like It, All's Well That Ends Well, Once in a Life-time, Three Sisters, Juno and the Paycock, Othello (the final production at The Other Place Theatre) and The Blue Angel and Measure for Measure (the first two productions in the new Other Place Theatre). With his colleague, John Caird, he co-directed Nicholas Nickleby (winner of five Tony Awards); J M Barrie's Peter Pan and Les Misérables which won eight Tony Awards and has become the most performed musical in the world.
In 1982, he opened the RSC's new London home, the Barbican Theatre, with his production of Shakepeare's Henry IV, Parts I and II. 1986 saw the opening of the Swan Theatre in Stratford upon Avon which he conceived and for which he directed one of the first productions, The Fair Maid of the West.
He has directed the Tony Award-winning Cats, Starlight Express, Aspects of Love, Sunset Boulevard and The Woman in White for Andrew Lloyd Webber; Chess, The Baker's Wife, Timon of Athens, Heartbreak House and most recently, The Lady From The Sea (Almeida Theatre), Skellig (Young Vic), Hamlet and Richard II (Old Vic) and Acorn Antiques. At Glyndebourne he has directed Idomeneo, Porgy and Bess, Cosi Fan Tutte and Peter Grimes and at The Royal Opera House, Porgy and Bess (revival), Katya Kabanova and Sophie’s Choice.
From 1997 – 2003 he was Director of the National Theatre, where his productions included Arcadia, Enemy of the People, Mutabilitie, Not About Nightingales, Oklahoma!, Betrayal, Troilus and Cressida, The Merchant of Venice, Summerfolk, Albert Speer, The Cherry Orchard, My Fair Lady, The Relapse, South Pacific, The Coast of Utopia, A Streetcar Named Desire, Anything Goes and Love’s Labour’s Lost.
His television work includes Antony and Cleopatra (BAFTA award), The Comedy of Errors, Macbeth, Three Sisters, Nicholas Nickleby (Emmy Award), Word of Mouth, Othello, Porgy and Bess, Oklahoma! (Emmy Award) and The Merchant of Venice. He has directed three films - Hedda, Lady Jane and Twelfth Night
He discovered the talents of Hugh Jackman ( and directed him in Sunset Boulevard and Oklahoma!) and of Michael Ball ( and directed him in Les Miserables, Aspects of Love, and The Woman in White). That is good enough for me
And I didn't know he has also directed opera productions at Glyndebourne in the UK!
A writeup and some photos of the lead, as the musical has just started the rehearsal process.
They do look young ( but beautiful) and not yet in costume, makeup, and wig. But I have heard Jill Paice's lovely soprano and seen her acting chops ( The Woman in White - I saw that 5 times ). All I know about Darius Danesh is that he can sing and that he was in GUYS AND DOLLS and CHICAGO at the West End.
We'll see
Jo
Posts: 10776 | Location: philippines | Registered: August 15, 2003
I caught WOMAN IN WHITE at the Marquis. Maria Friedman was excellent; unfortunately, I didn't get to see Michael Ball, as he missed many performances due to illness.
The projections were a bit dizzying, but I don't think that's why the show failed here. The tone flip-flopped from dark melodrama to love story to comedy to circus-act-with-mouse, and there was no outstanding song that people identified with the show, the lovely "All for Laura" notwithstanding.
Ellen
Posts: 8621 | Location: NJ | Registered: March 19, 2004